Front wall of a mastering studio under construction, framed and ready for speaker mounting
Studio construction

Recording studio
builder.

Recording studios, mastering rooms, control rooms, production rooms and rehearsal spaces, built from the slab up in Portland, Oregon. Floating floors, decoupled walls, layered ceilings, and the air system that lets the room breathe.

Front wall complete, ready for speaker mounting by Northward
What a studio build is

A room inside
a room.

A studio that keeps sound in and the world out is a room built inside another room: a floor that floats and never touches the building, walls with mass and an air gap, a ceiling framed in layers, doors and glass that seal. Then it has to breathe. That is the part most builders skip. Isolation. Treatment. Air.

We built the Telegraph Mastering studio in Portland with Northward Acoustics: a concrete floor poured on steel pans, mechanically detached from the building on steel shims and Sylomer foam; a three-layer ceiling framed to hold staggered layers of insulation with ascending density; a back wall three feet thick; channels for cables set in the floating slab; and the air system that keeps an airtight room full of fresh, cool air. Nine months after the photos below, the engineer was at work in it. The story of that studio, in his words →

You're making the tightest possible box, so you have to get fresh air in and out.On studio air systems

Layer by layer.

Floor: concrete on steel pan forms, on steel shims, on Sylomer foam, on concrete curbs. Nothing touches the building; outside vibration stops at the foam. Ceiling: three layers of framing, each holding insulation of a different density. Walls: mass, air, and a back wall three feet thick, with the diffusers set into the framing. Services: cable channels in the slab, lighting, HVAC and the sprinkler system, all in before the room closes up. Front wall: framed for the speakers to be mounted by the acoustician.

Intricate three layer ceiling framing for holding staggered layers of insulation with ascending density profiles.
Three-layer ceiling · staggered insulation, ascending density

Planning a studio? If the drawings are done, send them. If they are not, tell us the idea.

What we build

Every kind of room
that has to be quiet.

It is unusual to find a builder with this much experience building studios: mastering rooms, recording rooms, rehearsal spaces, and the air systems that go with them.

Mastering studios.
The quietest rooms there are. Telegraph Mastering's room in Portland is ours, built with Northward Acoustics. telegraphmastering.com
Recording and tracking rooms.
Live rooms and booths where the isolation has to work in both directions: the drums stay in, the street stays out. The room at David Pollock Recording in Portland is ours.
Control rooms and mix rooms.
Framed to the acoustician's drawings, front wall ready for the monitors, cable runs where the drawings say they go.
Production rooms and home studios.
A serious room in a house or a garage: a floor that floats, walls that seal, and air that still moves.
Rehearsal spaces.
Loud rooms with neighbors. Mass, air gaps and a door that seals are what keep the peace.
Halls and venues.
A Helmholtz resonator for sound control beside the stage at Polaris Hall. The hard stuff →
Concrete studio floor poured on steel pan forms, detached from the building on foam

A floor
that floats.

The concrete slab sits on steel pans, on steel shims, on pink Sylomer foam, on concrete curbs. Nothing touches the building.

Floating floor: steel pans, Sylomer foam, concrete curbs
How a studio job runs

Drawings in.
Studio out.

Your acoustician's drawings.
We build what is on the page. Outside custom woodwork we don't do CAD or design work, so we are glad to work alongside your acoustic designer, architect and engineer rather than around them.
Dealing with the city.
Building codes, permits, inspections. A studio is a building inside a building, and the city has questions. Knowing how to deal with the city is a big reason people hire a general contractor.
Every trade, one point of contact.
Concrete, framing, electrical, HVAC, sprinklers, sheetrock, doors and glass, finish carpentry. Lined up in the right order, by one builder.
Portland, and beyond it.
We are based in North Portland, Oregon, and build across the metro and Clark County, Washington. Studio somewhere else? Tell us about it anyway. Asking costs nothing.
Straight answers

Questions.

Do we need an acoustic designer?

For a serious room, usually yes, and we are glad to work alongside yours. Outside custom woodwork we don't do CAD or design work; we build what is on the drawings. The Telegraph Mastering studio was built with Northward Acoustics.

Why does a studio need its own air system?

A studio is pretty much airtight. That is the point: you are making the tightest possible box. But you breathe out carbon dioxide, so fresh air has to get in and out, and a lot of the gear is old school and essentially a toaster oven, so the air has to be conditioned as well. It is absolutely essential, and not a lot of people build it.

Can you turn an existing room into a studio?

Tell us about the room: where it is, what is around it and what you do in it. Isolation is a construction problem, not a foam problem: a floor that floats, walls with mass and an air gap, a ceiling framed in layers, and air that gets in and out without a straight path for sound. Sometimes that means a new room inside the old one.

What does a studio cost?

It depends on the room and the drawings. The first meet-up is always free. For a larger project (over $20k) with a lot of elements we use a pre-construction contract to cover the time spent exploring your options properly.

Do you build studios outside Portland?

We are based in North Portland, Oregon, and build across the Portland metro and Clark County, Washington. If your studio is somewhere else, tell us about it anyway. Asking costs nothing.

Next step

Tell us about
the room.

What you do in it, where it is, and what is around it. Drawings if you have them.

★★★★★ 5.0 on Google. “Solid talent, top quality, and great communication.” — A T